Review

15.10.2010 Skambankt (Rock 51, Sarpsborg)

Saturday, October 16th, 2010

Skambankt return to Sarpsborg! Last year’s concert at Rock 51 was a bit… weird. But that didn’t prevent me from going there again – especially since Sarpsborg’s quite easy to get to, and with another concert in Ås the next day, it was absolutely worth taking a little trip to Norway again!

Sarpsborg itself turned out to be a nice enough little town – but too small to spend a whole afternoon without getting bored. =;-) But I had some stuff to work on anyway, and after a nice and tasty dinner it was time to get ready for the concert!

At Rock 51, we were welcomed by the merch guy (he he, yep, THAT is how you sell stuff! *g*) and got to greet some fellow fans. This time, the stage was arranged a bit differently, so that – even though there was a pillar right in front of the stage and it was hard to see – it felt more like a concert place than a bar with some noise coming out of a corner, like it was last time. =;-)

The concert started with the Eliksir intro, followed by the first song Mantra. Next song up was Skambankt – and it was clear right away that the audience wanted to have fun. The audience was quite mixed, so there were some people who were amazingly enthusiastic, while others just stood and looked on. But all in all, people seemed to enjoy what was happening; and all were definitely interested, unlike last time in Sarpsborg.

Not much talk though – there were some question about who had been there last time, who had heard Hardt Regn and so on, but that was almost it. A little remark when the guitar wasn’t in tune (“That happens when you don’t check it yourself!”), but apart from that, they let the songs do the talking. =;-)

Third song was Slukk meg for eg brenner, then Amnesty, Dynasti, and Fritt fall. Yay! =:-D Then Løgnprofitør, Malin, Kaos så inferno, and Me sa nei. That one with some nice explosions in the middle, hadn’t heard that before. *g* The last songs were O dessverre, Tyster, and Stormkast #1.

Throughout the concert you could see how much fun Skambankt had on stage – and that’s always great to watch! Even though it is a bit weird to see Terje in the dictator position. =;-) Ordering the others up on the barrier, casting reproachful looks to whoever played a wrong note – but not only that, also turning around to guide everyone through a passage of Tyster that (at least that’s my assumption *g*) never worked out right. This time it did. Terje just has to start conducting… *lol*

They went off and came back shortly after to play the last two songs, KKK and Min eliksir. And I noticed that I don’t remember the lyrics to any of them, ooops. =;-) Well, I guess I’ll have another chance tonight…

So, a great concert, but it might be possible to even top it tonight! Let’s see if they’ll manage that. =:-)

14.09.2010 Skambankt (Lydverket)

Saturday, September 18th, 2010
14.09.2010 – Photos Skambankt (Lydverket)

Blood, sweat, and lots of rock’n’roll
Report by Marlene

Together with two friends, I was one of the 150 lucky people who could attend the Skambankt Lydverket event at Internasjonalen, for free and just like that.

We had been told several times before that the doors would open precisely at 8 p.m. and therefore, everybody had to be there at that time. So, to be on the safe side, we arrived a bit earlier, ordered our drinks, and found out that the whole atmosphere was very relaxed. At 8 p.m., it was way too crowded inside for my taste. Everybody waited for the doors to open. But that didn’t happen on time, because Tollak was late, as it turned out when he fought his way through the crowd.

Soon after, the audience was allowed up the spiral staircase as well, into the room with a bar and small stage, which was richly equipped with instruments so that it didn’t offer the musicians much room to move. Thus all the best on just 7 square meters.

After a short instruction (“Please do not step on cables, make way for cameras, and don’t be angry if a shot must be repeated.”) the recording started. Asbjørn Slettemark, moderator of Lydverket, positioned himself at various places in the audience and reported on music news, like Röyksopp’s visit to the nursing home in conjunction with the new album “Senior”, indie music in American television series, Kvelertak’s naked stage performances.

The Skambankt interview unfortunately turned out to be no more than a two minute conversation about Terje’s favorite CD releases of the fall, and that was it.

But actually, the concert was the highlight anyway, because most likely we won’t have the chance to see Skambankt during the upcoming tour.

The band members made their way to the stage through the excited crowd, that is, Børge, Terje, Tollak, and Christer Knutsen. Yes, Christer Knudsen himself, and he wasn’t there to replace Hans Panzer on guitar, an idea which enlightened my head for a minute, but he crept into a corner where there was no light and worked the keyboards, for example during Amnesti. And if some light actually made it to Christer’s head, you could see a broad grin.

When the program director asked about Hans a little nervously, Terje just said: “Oh, he’ll arrive soon.” They were all relaxed. This was also noticeable when they were playing. It was obvious that they enjoyed it, and the audience – at least those around us – did too.

The first song was “Kaos, så inferno”, followed by “Mantra” and again “Mantra” for a different camera angle. “En gang til!”, the audience shouted afterwards, which amused the band, but we got to hear “Amnesti”. Enough new songs, they thought and played “Slukk meg”, “O Dessverre”, and “Stormkast”. During the latter, some mischievous guest unfortunately threw a glass towards the stage, which broke at a spotlight and rained down on the front of the stage, hitting Terje. Unflinchingly, they finished the song and dabbed small wounds.

The incident couldn’t harm the good mood, and our euphoria accompanied us through the rest of the night.

02-04.09.2010 Rått og Råde (Stavanger)

Monday, September 6th, 2010
02-04.09.2010 – Photos Rått og Råde (Stavanger)

The main stageAbout every big and small town in Norway has its own rock festival – that’s quite typical for the Norwegian music scene. Stavanger has been struggling with this a bit over the last couple of years. The last rock festival in Stavanger, Pulpit Rock, went bankrupt after the third year. But fortunately, it didn’t take long until a new festival was planned for the city, namely Rått og Råde! Not everybody welcomed this plan though, because the festival was scheduled to be in the middle of a residential area, where a lot of elderly people are living. However, the plans were approved, and so Stavanger was all set for a new festival for about 10000-15000 people.

I was really curious about how this would turn out, mostly because this festival was really HUGE for Norway. I gotta admit that I don’t like big festivals, I’m much more into the small and cozy ones, but then – even huge festivals in Norway seem more like medium-sized festivals in Germany, and I was wondering how they would manage to set up such a festival for the first time.

The crowdAnd I was impressed! Overall, the festival was just amazing. The area was big enough for the amount of people, there were enough bar and food stands and toilets so that you didn’t have to queue for long, the organization worked out very well, there were enough securities and volunteers to get everything to run really smoothly. Thumbs up!

A big plus was the weather of course: three days of sunshine without even the slightest clouds. Would you ever expect that in Norway in September? That was so nice, and even though it did get quite cold at night, this made the festival perfect. So it’s hard for me to really judge the festival… No clue how it would have been in the rain. But like this, it was just amazing!

After the concertsSo does that mean there was nothing to criticize? Almost, but not quite. The area was really nice for a festival. The stages were arranged nicely, you could see very well, and it never got too crowded – you could always find a nice spot in the audience. So that was perfect. But then, the festival was far from sold out. From what I heard, there were 10.000 people there the first and last night (and about 6000 on Friday), which wasn’t too bad, but still under capacity. With a few thousand people more, I think it would have been quite crowded. Not necessarily in front of the stages, but everywhere in between. There was a nice “market street” in between the two stages, where the food stands were located and where you could sit down and rest a bit. That part was usually quite crowded, especially when everybody was walking from one stage to the other. And as bands on both stages took turns playing (which means that there was always some music playing – great!), that happened quite frequently. There were a few narrow paths that just weren’t suited for a lot of people walking there at the same time. It worked out fine with the amount of people that actually was at the festival, but I’m not sure if it would be the same with even more people. And the same was true for the exit, by the way. It looked quite frightening to see everyone head toward the same narrow path at the same time right after the concerts. The organizers took every precaution they could, the path was well-lit, and there was just no way to get the crowd off the area more quickly. But this is clearly a bottleneck for the festival, which might pose a problem if the festival is continued and might even grow.

KidApart from that, the area seemed perfect for a festival. Very easy to get to from the city center (and the bus transfer worked out just great – except that it was VERY hard to actually get hold of one of the bus passes that were advertised; nobody seemed to know about them), mostly gravel grounds (so it wouldn’t get too muddy with rain), and lots of space. I can understand it though that the people living in the area were not too fond of the festival, even though the concerts ended by 11 p.m. at the latest – there’s still 10.000 people invading your neighborhood, seven hours of noise every day, and quite a bit of hassle walking around the festival grounds. However, I think that this should be bearable, as it’s only one weekend in the year – and a big plus for Stavanger.

I gotta admit that this was more or less a “surprise festival” for me. The line-up sounded great to me, because I knew almost all names on the list. However, for most of them I had NO clue what to expect. This made it really exciting, especially since there was always a band playing. So I could just walk up, check them out, and decide whether I liked it or not. Pretty cool – but it also means that I can’t report too much about the bands, because most of them were completely unknown to me. However, I’ll try to do my best now to report on the festival concerts!

Susanne SundførThe first artist of the festival was Susanne Sundfør on the big stage. I didn’t make it to the festival until halfway through her concert, but I was impressed. Not only by the crowd of people that was already gathered in front of the stage, but also by the music. When I arrived, Susanne Sundfør was doing a part alone, which was very nice. After a few songs, the band joined her. I hadn’t even noticed they were missing! But they did give a different touch to her concert and added some variety. A very nice opening concert!

After Susanne Sundfør, Line Larsen took over on the second stage. Gotta admit that she didn’t convince me. It was nice music, but not catchy at all.

Karpe DiemNext up was Karpe Diem, and my first surprise. I suspected… hmm… maybe some “dark” rock band? I got a hip hop act, which actually wasn’t too surprising I guess, I think I’ve even heard them on the radio before. They managed to get the crowd moving! I liked the show quite a lot, and so did the rest of the audience, as it seemed.

Then, before the main act, Casiokids played on the small stage. And I left after the first song… Sorry, but what was that? Indie-alternative-wannabe-rock? Not my thing, not at all.

Morten HarketSo I had time to grab something to eat before a-ha came on. I didn’t really expect a lot from the a-ha concert. I knew that I didn’t really know them (just the hits of course), I knew that it’s not necessarily the kind of music I usually listen to, and I knew that it was really cool to get to see them play live once! And I got pretty much what I expected: A professional show, a bit too reserved in my opinion, a lot of nice pop songs, and a dedicated audience that was impressively loud when singing along. In the beginning, my attitude was mostly “okay, it’s something you gotta see once, but well…” Towards the end, they played more and more hits and thus songs that I knew, and I started to really enjoy it. Yes, guess you HAVE to have seen a-ha on stage once, and if it’s only to note that Morten Harket looks like David Hasselhoff, or that it sounds pretty awkward if a whole audience suddenly squeaks “STAY!”. *lol* But yeah… that probably sounds rather insulting to any a-ha fan, sorry about that. But they were never my heroes. =;-) And I did enjoy the concert, more than I had expected.

Geir ZahlThe second day of the festival was the big “Kaizers day”. =;-) First up everybody faced a hard decision: While Uncle Deadly (aka Geir Kaizer) opened the festival day on the main stage, Skambankt were doing a signing session downtown. Not sure how the signing session went (’cause I didn’t have any doubt when deciding for Uncle Deadly), but the Uncle Deadly concert was really nice. It was a bit of a downside though that it was so early in the day and there were only very few people on the festival grounds at that time. Too bad! You can read more about the Uncle Deadly concert in my report.

After Uncle Deadly, a band called Rub A Dubs played on the small stage. I hadn’t heard of them before, but they sounded very promising! I’m really bad at finding genres for bands – but they had brass, which is always a big plus, and they got people dancing!

MewNext up on the main stage was Mew from Denmark. Again, I didn’t know more than the name, but this time my expectations were about right. A nice rock band with some “weird” influences, with a front man in a dark leather coat, singing sometimes in normal voice, sometimes two octaves up… =;-) But it was really fun to listen to! And to watch the guy whose only job on stage it seemed to be to dance. Hmm… does that mean he’s part of the band?

The next band was also from Denmark, and my first impression was “they sound Danish”. Honestly, I have no clue what made their sound typical Danish (nor do I have any idea what typical Danish sound IS *g*). The band was Oh No Ono, and actually, I even knew one of their songs – which doesn’t mean I knew the band. They reminded me a bit of Casiokids. Just standing, hardly moving, pretty monotonic music… not quite my style. And it seemed that most people were thinking the same, as it was quite empty in front of the stage at that time.

Band of HorsesOr maybe this was already because of the next band and people preparing for the BIG concert of the evening: Band of Horses. You don’t know them? Well, I didn’t either. But EVERYBODY in Norway does, and they really were the big highlight of the day for many. So people were really enjoying their concert. I found it was nice, but without knowing the songs (I had heard one on Norwegian radio though! *g*), I couldn’t quite figure out what makes them so special. It was nice music, well performed, but it didn’t really catch on for me.

Anyway, I think it would have taken a lot to take my mind away from the upcoming concert at that time. Because next up were Skambankt, who delivered a fantastic concert in front of an even more fantastic crowd! All about the concert here.

The ProdigyThe headliner on Friday was The Prodigy. I’ve seen them before, twice even, and I always hated it – not because of the music which I find is quite suitable for festivals, but because it was impossible to listen to their concerts, as the bass was turned up so loud that it hurt. And not even in your ears, but in your whole body… It turned out though this time that it wasn’t too bad! The sound was absolutely okay, and I stayed almost until the end of their concert, even though I had planned to leave after five minutes. But no, I gotta admit, that was a fun concert! The crowd loved it as well – but it was obvious that there were a lot less people at the main concert than the day before.

Enjoying the sunThe next day, like the first two, started in bright sunshine and warm temperatures, so that everybody arrived at the festival grounds early and everything started out very relaxed and happy. First up was Bare Egil Band. One guy with guitar and microphone, obviously quite funny, but I found out that my Norwegian might be sufficient for daily conversation, but not to understand what all this was about and whether it was good or bad. =;-)

That was much easier for me with the next band: Madcon! One of the few Norwegian bands of the festival which are known outside of Norway as well. In the beginning, it seemed like they had a hard time getting the audience to go along. They worked really hard though, making the audience scream again and again, splitting them into two groups and having them compete, making them jump – and it worked! The crowd was quite impressive for this time of the day, and it was obvious that everybody had fun. And rightfully so! Madcon seemed like the perfect band for that time and that crowd.

TôgThe next band, Tôg on the small stage, also had quite a few people in the audience. Not sure in which genre they should be placed – electro-alternative maybe? It was a nice mixture, in any case. At least from the musical side. Not sure why they all had black clothes and white scarves on their heads, that looked a bit silly. But it’s the music that counts, right? =;-)

Then we went back to the hip hop. Lars Vaular was another band where I knew only the name and nothing else – at least that’s what I thought. I did know their sunglasses song though. =;-) I watched their performance from the very back, so it’s hard for me to judge the reaction of the audience, but it seemed to me that they managed to capture the audience – but there weren’t as many people who let themselves capture as under Madcon’s concert.

Purified in BloodWhile the main stage was turned into a hip hop stage, the small one now became the hardcore stage. I don’t like that genre, I can’t tell what is good or bad, but Purified in Blood were quite impressive. Less because of their music (it just sounded like “noise” to me), but because of the audience. There was actually a pretty big circle pit! OK, there’s circle pits at about every concert I see in Germany, but you can’t compare Germany and Norway in this respect. Honestly, I had never expected a real pit in Norway. But then I wasn’t surprised that it was _extremely_ aggressive in there. OK, it was nothing compared to later on, but before that…

Thomas Dybdahl played on the main stage. Talk about different styles! =;-) Nice, melodic pop rock. The main stage audience seemed to like it. I found the concert quite nice, but I didn’t know any of the songs, and nothing really stuck.

KvelertakSo then it was time for Kvelertak on the small stage. Very similar to Purified in Blood, but more melodic and thus easier to listen to, in my opinion. But it might be that PiB is just as melodic, I just haven’t found the underlying melodies yet. =;-) I saw Kvelertak a few times as support for Skambankt, and while it’s not my kind of music, I have total respect for what they do on stage. I was pretty shocked by what was going on in front of the stage though. I’m quite used to seeing pogo pits, but that looked terribly aggressive. And I always thought people are in there together and not against one another… guess that doesn’t count for Norwegian pits, who knows. If I saw that correctly, it ended with the PiB singer being escorted out by the police… uhem.

OzzyFor some reason, they were done fifteen minutes early (my guess was that they had planned for an encore, but people just left, but I don’t know whether that’s true), and then the waiting for Ozzy Osbourne began! I had seen him once before, in 1997 if I recall correctly. Don’t really remember anything from that concert except that it was raining and he covered “Singing in the rain”. =;-) Again, I didn’t really know any songs, just some fragments here and there, but it turned out to be an amazing concert! The audience was absolutely crazy, Ozzy was very friendly and entertaining, the music was great (well, except for the singing maybe – Ozzy was a bit off-key sometimes…), there was a foam sprayer and the first row, the securities and camera got covered in foam a few times, and Ozzy seemed very excited about the great audience. Honestly, that seemed a little bit fake to me… not sure why, because the audience was quite enthusiastic. But not really that loud, I thought. However, Ozzy seemed amazed and said he was amazed, so maybe he actually was. =;-) He played a really long set – almost two hours – and it seemed as if he would have continued if the hour hadn’t been after eleven, which was the strict curfew.

Thank you!That definitely was a nice conclusion to a great festival. From what I read up to now, the sales weren’t as good as expected, so it’s not quite clear yet whether the festival will be repeated next year. I really hope so though, because it’s a great thing – and yep, every Norwegian town needs its own festival! Especially if it’s such a nice one. =:-)

03.09.2010 Skambankt (Rått og Råde, Stavanger)

Sunday, September 5th, 2010
03.09.2010 – Photos Skambankt (Rått og Råde, Stavanger)

One of the last festival gigs of the year, bright sunshine, and homecoming at the same time – this Skambankt show at Rått og Råde just couldn’t go wrong! I was there the whole festival (check out my report here), but the Skambankt concert was the highlight, of course.

And it seemed that I wasn’t the only one who thought like that. When I arrived at the small stage (while Band of Horses was still playing on the big one), there was already quite a crowd in front of the stage, and there were more and more people coming. Great! And the atmosphere was amazing; it was the first time at the festival that people started shouting for the next band to come out. Yay! And also throughout the concert, I was amazed by the enthusiastic and loud audience. That’s just so great to see, and Skambankt really deserve it! I was kinda happy though that I was on the side and not in the middle of the action, ’cause it seemed quite aggressive in there… and it actually ended up with a girl behind hurt because someone jumped into her back. =:-/ But it was impressive to watch the crowd! OK, at least until I saw the Kvelertak concert the next day, because the audience was even more enthusiastic and aggressive there – but Skambankt delivered the way better concert, of course. =;-)

It started with an old lady (supposedly Tollak’s grandma-in-something-like-law =;-)) coming on stage and delivering a speech that she’d gonna check out the kind of music that the youth likes to listen to now, and that people should promise (and repeat after her, of course) to behave nicely and not pee into other people’s backyards. Which of course was Skambankt’s response to the “rullatoropprør”, where elderly people had protested against the festival and called Skambankt’s music “åndelig terror” – spiritual terror. Great idea to answer this in this way! =:-)

Then Skambankt came on to the Dynasti intro, and after Dynasti they continued with Skambankt. Twice even, because Terje tripped Tollak on the first try. =;-)

As always, they got the audience going under Skambankt, everybody was screaming along. Løgnprofitør got the atmosphere up even more, and while Mantra is a bit calmer, everybody knew that one. So it continued as it started, with a really hot audience and a band that didn’t take much time to talk in between or let the audience get any rest. Next up were Vår bør, Malin, and then Slukk meg for eg brenner.

Then Skambankt decided to play a song from the new album, namely “Kaos, så inferno”, the opening track of Søvnløs. And the reaction was very positive, even though people could only know the song from some live videos or the one time it’s been played on the radio.

Next up was Tanker som mareritt, followed by O dessverre, which everybody knew again. The time was almost up already – but Terje asked whether we wanted to hear another song. And then he offered not only one more song, but two! First Me sa nei (where we had to count down from 21 in the middle), then Stormkast #1, again with a great and long solo part in between. And that was it – no time for encores, unfortunately. =:-(

Too bad, but a great concert anyway, even though they didn’t even play Alarm. I really think they’ll have to think about playing a bit longer on the next tour so that they can fit in both old and new stuff into their set! *g*

03.09.2010 Uncle Deadly (Rått og Råde, Stavanger)

Sunday, September 5th, 2010
03.09.2010 – Photos Uncle Deadly (Rått og Råde, Stavanger)

As conclusion to my festival season, it was time for another trip to Norway. More precisely to Stavanger for the Rått & Råde festival! You can find my report about the whole festival here.

The most interesting day for me at the festival was Friday. The first band on stage that day was Uncle Deadly – and since I hadn’t managed to see any solo concerts of Geir before (why does he always announce his concerts at the last second? *sigh*), I was really looking forward to that! A little downer just a few days before: At the same time when Uncle Deadly was scheduled to play at RxR, Skambankt were doing a presale and signing session downtown. Yeah, great… I mean, it wasn’t a hard decision for me to take (I had chosen to go to Stavanger instead of Tromsø because Geir was playing only in Stavanger), but I think it was a bit unfair, because it was obvious that some of the people who would have come out to see Uncle Deadly weren’t coming now because they were at the Skambankt signing. But well – their bad! =;-)

Uncle Deadly was the first band that played in the afternoon, and unfortunately, there were very few people there. Even though it was a perfect day, sunshine, warm, Friday… but most people didn’t arrive until later that evening.

Still, Uncle Deadly didn’t seem to be annoyed by the lack of spectators. They played a nice little set – it took a while until they seemed to catch on, but then it was really nice, and those people who had made it out on the festival in time really enjoyed it. Geir seemed a little insecure maybe, but not uncomfortable with the role as the front man. I was a bit curious whether it was right that he “only talks about the weather”, as people claimed on Facebook. And yep, he does. =;-) But hey, with this amazing weather that was absolutely allowed. And how should he know this kind of weather since he moved to Oslo? =;-) But naah, that was not the only thing he talked about. He also wondered about how Ozzy would pronounce Rått og Råde (well – he didn’t…), asked if a-ha fought on stage the day before, and tried to remember whether or not he had ever played soccer on the field where the stage now stood. Or at least that’s what I understood. Who knows what he actually said… =;-)

Anyway. He started out with lots of songs from Monkey Do but played a few songs from Nice for a change as well. Here’s the setlist: Be careful what you wish for, The game, I don’t mind, Songs about God, The subpoena girl, Nice for a change, Friday nights, Some call that love, Oh life, Sneakin’ up.

As I wrote, it took a few songs for the band to warm up. The sound wasn’t too good in the beginning, the guitars were out of tune (because of the sun), but it got better and better. But, to not be the blind and deaf fan – there were quite a few wrong notes and chords throughout the set, and nobody would have noticed some sheets with lyrics behind the monitors… better than “la la la” in every second song, to be honest. =;-)

All in all, the concert was really nice. I wasn’t amazed though – this might be due to the surroundings, because Uncle Deadly looked kinda “lost” on the enormous stage, with so few people in front of it. It might have been different on the second stage, or at a club show. I think Geir’s solo stuff would work better there – or maybe it’s just some really great music to listen to at home and just not made to be played live. Not sure. Would be a pity though, ’cause I think Geir could grow into that frontman position. Let’s see if he’ll get that chance. =:-)

20-21.08.2010 Kartfestivalen (Gvarv, Norway)

Tuesday, August 24th, 2010
20-21.08.2010 – Photos Kartfestivalen (Gvarv)

AudienceAfter I spent basically every weekend this summer at some festival in Germany, I finally made it to Norway now for… a festival, of course. =;-) Festivals in Norway are interesting: pretty tiny (compared to German festivals), a line-up ranging from “very local and unknown band” to “international star”, very cozy and nice with people really “living” for their festival. So in a way you can compare Norwegian festivals to some of the really tiny German festivals, just that there are much bigger bands playing at the Norwegian festivals.

This year, I decided to go to Kartfestivalen – the line-up was nice and interesting, and the festival wasn’t too hard to get to with only a 2-hour drive from Oslo. Gvarv, where the festival took place, is a tiny little town right next to Bø in Telemark. So there wasn’t really anything else to do in the area – but that didn’t matter; we spent a great weekend at the festival!

Rubber bootsWhen we got to Gvarv, it had already been raining for quite a while. Grr… not the way you want to start a festival, of course! But well, Skambankt would be playing, so we got out our rain coats and umbrellas and got going. The first impression of the festival grounds was very positive: Not too big (but actually impressively big for a festival in a town of this size!), two stages (a tiny one where the first bands of the day played and a “normal” one for the main acts), some food stands of course and a lot of tables and benches to sit down – all under a tent roof, so that was perfect with all the rain.

The only downside (except for the rain, of course, but that’s not in the responsibility of the festival organizers…) was the food and drinks. Food and beer was ecological – I think it’s a great idea to have such a motto for a festival, and especially to really stick to it for everything that is on offer. But then, the choice was fairly limited. For the food, it wasn’t that bad (even though I have to admit I didn’t really like it, but that’s a matter of taste of course), but with drinks? There was beer, wine, coffee, and water. Pretty limited if you have to drive afterwards… OK, there was also apple juice, but it was out the second day. =:-(

Well, to make up for that, there was a supermarket and a gas station right next to the festival grounds, so you could get something from there – but that’s not really the way it’s supposed to be, and I felt a bit bad getting my drinks there. I’d rather supported the festival by buying stuff on the festival grounds, but that wasn’t possible, unfortunately.

Lady MoscowOK, so back to the festival itself. We got there at the time when the second band of the day, Ellen M Trio, was just finishing their set, so unfortunately I can’t really report about them. Next up was And her name was Frank, followed by Lemmy Caution Strikes Back. Both sounded pretty nice, but the rain ruined their concerts a bit. There weren’t really a lot of people in the audience yet – those who had ventured to the festival grounds already were mostly seeking cover under the roof.

But then, everybody seemed to accept the rain. Lady Moscow played on the main scene, and even though there weren’t that many people there yet, those who were decided to ignore the rain and see what was going on on stage. And that was a good decision, because Lady Moscow played a great concert and managed to get the audience involved! From what I had read before, I placed them somewhere between Kaizers Orchestra and Tom Waits, which wasn’t that far off. Not that much Kaizers actually, but some unusual instruments; they had a stand-up bass, accordeon, and violin. And yep, the singer undoubtably likes Tom Waits. =;-) A very nice performance!

SkambanktAfter that, more and more people arrived, so that it filled up very nicely in front of the stage before the next concert. Because then it was time for the “Kings of rock” (as the announcer called them): Skambankt! I really loved the concert, and the atmosphere was great – the audience seemed to really have fun throughout the show, which is just the way it’s got to be! You can read a detailed report about the Skambankt concert here.

The headliner of the first day was Big Bang then. I gotta admit that I’m not that fond of them – I’ve seen them twice at some other festivals, and I was always pretty bored. This time, they did surprise me though; I enjoyed the concert quite a bit! Again, it was pretty crowded in front of the stage, despite the rain, and the atmosphere was really nice. I would have expected a bit more enthusiasm from the crowd maybe, but well, everybody was cold and wet after all. And when Big Bang finished up with “Prettiest girl in Oslo”, everybody was celebrating and having a great time.

After that, it was time to get back to our cabin at Beverøya camping (didn’t see any beavers though, he he) and dry up. The next day, we woke up to really nice, warm, and sunny weather – yay, that’s the weather you want to have at a festival, not the stupid rain!

DowntownThe festival day actually started with some free concerts downtown. OK, as much “downtown” as you can expect from a tiny little town like Gvarv, I mean. =;-) But hey, that sounds so negative, but I really don’t mean it like that. It was a great way to start the festival day, and it was very very cozy – at the town square, with a tiny improvised stage, some seats in front of it, a little café and great sunshine. And it actually got quite crowded after a while! First up was Raven Coloured Love, who also played at the festival lateron, playing some acoustic cover songs. Next was Ugrass, a band formed just for this occasion, playing some country/western/bluegrass style songs. And last but not least it was time for Roy Lønhøiden, a singer/songwriter that I actually knew from my Norwegian class. =;-) All in all, this was a great start for the festival day – a nice and cozy get-together on the town square, involving not only the people who came for the festival, but all Gvarv inhabitants, no matter whether they cared for the rest of the festival or not.

Shortly after, the “real” festival started again. It seemed to me a bit like I was seeing two completely different festivals those two days. Now, the sun was out, it remained dry troughout the evening, and even though it got quite cold at night, this was the perfect festival weather. And of course that left its traces on the audience as well, and everybody seemed to be enjoying themselves.

Bad Hair DayThe first band on the small stage was Bad Hair Day, a very young band from the area, with one of their first “big” concerts, I assume. They did a great job! Of course there’s room for improvement and they seemed to feel quite insecure on stage, but they knew how to play their instruments and had their own songs even. Just that maybe “When I was young I found a river of wisdom” is not exactly the right topic for a teenager band… =;-) But it was a nice gig!

Next up was May Kristin Steffensen, alone on stage with her guitar. She did a few very nice songs in singer/songwriter style, before Raven Coloured Love had their turn again. Actually, I liked their acoustic cover set a bit better, but they played some nice and energetic rock music now – with their own songs this time. For both of these concerts, it was a bit of a pity that there were so few people in the audience. But those who were at the festival grounds already enjoyed themselves.

KatzenjammerWe missed Emma Ejwertz after that but were back in time for Tellusalie (by the way, the name makes sense, if you look at it again *g*). I have to admit though that they didn’t leave an impression, even though they had some strange instruments. I do remember the tree that was used as percussion instrument though. I felt sorry for it. =;-)

Then it was time for the highlights of the night. First up: Katzenjammer! I don’t have to write much about the four girls, I guess – they are just amazing, and they manage to conquer any audience within minutes. I’ve seen them play in Germany a lot lately, and somehow, this was the complete opposite. In Germany, they are playing in tiny clubs that are crammed with people who know they have to expect something weird (but great!). Here, there were a few people (actually quite a few, ’cause it started to fill up again) who had probably heard the name Katzenjammer but had no clue what to expect. So at first, everybody was just watching. Then for the next two or three songs, everyone was astounded and… amused. People were actually laughing at the band! But in a very nice way. =:-) And then Katzenjammer had won, and everybody was cheering, dancing and singing. I LOVE it when that happens and a band just takes over! And Katzenjammer so deserve it. Especially ’cause they had to cut down on their set, as it seemed Jethro Tull wanted more time…

Big BangThe whole day, there had been lots of people around wearing Jethro Tull t-shirts, so it was clear who the headliner of the day would be. Or well, honestly I was always confused as soon as his name was mentioned. It took me a while to figure out why everybody was talking about some guy called Jedro Tyll, uhem. *g* Honestly, I didn’t expect much from that concert. Of course I knew “Bourrée”, and since I play the flute as well I had of course stumbled across Jethro Tull, but yeah… well, overrated. And when the strict regulations were announced – no smoking in front of the stage and a 100% photo ban (thus no Jethro Tull pictures) -, that only confirmed my attitude towards him. The typical snotty, arrogant rock star… pff.

I was mistaken. I was sooo mistaken! The concert was absolutely amazing. Perfectly performed, very varied and entertaining. I just didn’t get the “standing on one leg” thing. Maybe I oughta try it… =;-) And no, neither snotty nor arrogant, the guy came across very very likeable. And humorous! After the first two songs he announced: “Okay, these songs were from 1968 and 1969. But don’t be afraid that we’ll play only this old stuff, no, by far not! The next song is from 1971…” *rofl* And so on and so on. Perfectly entertaining and absolutely awesome. Can you tell I was amazed? =;-)

Grand IslandJethro Tull was the headliner, but not the last artist of the evening. As last band, Grand Island went on stage. I saw them as support for Kaizers Orchestra earlier this year and had gotten the latest album right away – and fallen in love with it. So I enjoyed the concert a lot; and I wasn’t the only one! A lot of people had gone home already, so it really wasn’t crowded anymore, but all the people who were still there were really enjoying themselves. There was line dancing, singing, screaming, … the perfect conclusion for the festival!

So all in all I can just say: yeah! That was a really really nice festival. The weather the first day was stupid, but well, nothing anyone could do about it. And the organizers did the best they could – there was cover, there was no mud, and there were rain ponchos on sale. =;-) Everybody, also the people who were working, seemed to be enjoying themselves, the atmosphere was very friendly, and the program was great. Two thumbs up!

20.08.2010 Skambankt (Kartfestivalen)

Sunday, August 22nd, 2010
20.08.2010 – Photos Skambankt (Kartfestivalen)

Time for festivals! OK, actually Skambankt have been playing festival concerts all summer already, but I didn’t make it to any of them until now. Too many other festivals in Germany, and in addition, I’m not that fond of traveling for hours and hours just to see a 40-minute concert in front of only a few people, most of whom have never seen Skambankt before. =;-)

But finally there was a festival that was rather easy to get to and with a nice line-up – so I got on my way to Kartfestivalen! The whole report about Kartfestivalen will be up on konzertjunkie.de soon, so I’ll only report about the Skambankt concert here.

It filled up nicely in front of the stage before Skambankt’s show – it seemed that most people arrived just in time for Skambankt, yeah! The beginning was all different from the last club tour. This time, Skambankt started with Dynasti; the beginning of the song was played from tape before the band entered the stage, then they came on and took over. A great start!

The next song was Skambankt, and that already set the scope for the whole concert: Terje wanted to know whether we were “with them or against them”, and OF COURSE the audience was with them! “Det kommer til å bli bra!” Oh yes, it was clear right from the beginning that this would be a great concert. The audience went along right away, shouting “Skambankt!”, and that remained just like this throughout the whole concert. Actually, the Skambankt chants started over and over again, in almost all songs. That showed how much the audience enjoyed the concert – even though many of them didn’t really seem to know the band, or only the last album. Actually it was quite obvious that there were not that few people who sang along on all “Hardt Regn” songs but didn’t know any of the others.

The next songs were Løgnprofitør and Malin, before they played their new single Mantra. That one worked great live! And it seems that everybody knew it. The band seemed pretty impressed by the audience and the festival as well – Terje announced that once he is rich enough, he’s gonna buy the house on the other side of the river and live there, and then they’d play at Kartfestivalen every year from then on. But only if he’s got the money… =;-)

The next songs were Vår Bør, which works just as nicely in the middle of the set as it does as opening song, and Alarm. At the beginning of Alarm, the band improvised a bit of audience interaction by having the audience cheer them, then playing a bit (or rather making some noise), having the audience cheer again and so on. Worked like a charm!

Of course someone had to come up on stage to count in after the drum solo – this time it was Anette from Ålesund who saw her 10th Skambankt concert. And she managed to count in correctly on first try! =;-)

Next, Skambankt played Trygge Rammer, and after that Stormkast #1. They changed the middle part a bit and had an even longer break/guitar solo part in it. The next song was Tanker Som Mareritt – which made me fear that the concert was over already, but no, fortunately Skambankt weren’t quite done yet!

Slukk Meg For Eg Brenner was amazing again – I just love that song, and it got the audience boiling as well. Or maybe only the first row? Who knows, who cares? =;-)

The last song was O Dessverre then – even though I was a bit confused in the beginning, because they started it with the intro they used to do before Alarm. But they had played Alarm already, so that couldn’t be. =;-)

Just as Mantra, everybody seemed to know O Dessverre, so the audience went crazy, and everybody screamed for encores for quite a while, but Skambankt didn’t come out again.

So the setlist was: Dynasti, Skambankt, Løgnprofitør, Malin, Mantra, Vår Bør, Alarm, Trygge Rammer, Stormkast #1, Tanker Som Mareritt, Slukk Meg For Eg Brenner, O Dessverre.

A great festival concert, even though they probably surprised some of the people in the audience. But these people have turned into Skambankt fans now, I guess. =;-)

13.08.2010 Taubertal-Festival (Rothenburg o.d.T.)

Sunday, August 15th, 2010
This entry doesn't exist in English.

Kurzer Disclaimer vorab: Da ich diesmal ausnahmsweise nicht in journalistischer Funktion – also, schon in journalistischer Funktion, aber nicht für konzertjunkie.de 😉 – unterwegs war, gibt’s hier nur ein paar Eindrücke vom Festival, keinen ausgearbeiteten Bericht. Nächstes Jahr dann vielleicht… =;-)

Das dritte Jahr Taubertal in Folge für mich – erst waren die Ärzte da, dann Farin solo, jetzt Bela solo. Daher kenne ich die Leute, die für “Fotopässe über Gästeliste” (ein völlig verqueres und eigentlich unmögliches Konzept übrigens *g*) zuständig sind, mittlerweile allesamt persönlich, und sie erkennen mich auch schon wieder. =;-) Aber nach einer knappen Stunde war diesmal alles geklärt und ich konnte aufs Gelände. Wie immer ging es erst mal ganz nach hinten zur On3-Bühne – denn dort könnte ja etwas Spannendes auf dem Programm stehen!

Tat es auch – denn gerade hatte die Live-Sendung angefangen, in der später auch Bela auftreten sollte. Bingo! Es war erstaunlich wenig los dafür, dass Bela erwartet wurde, aber man bekam im Publikum auch nicht wirklich viel von der Sendung mit; die erste halbe Stunde war also doch eher langweilig. Dann kam allerdings Bela: Zuerst gab es “Liebe und Benzin” live, dann ein Interview, dann den Rest der Sendung und zum Ende noch mal Bela live mit “In diesem Leben nicht”. Ohne den tollen Mittelteil… *grmbl* Bela wirkte definitiv sehr sympathisch, witzelte ein wenig mit dem Publikum rum, aber wirklich Vielsagendes gab es nicht. Wer nicht dabei war, hat Bela zwar nicht aus der Nähe gesehen, aber verpasst hat man auch nichts. Gegen Ende stellte sich der Großteil des Publikums für Autogramme an und war dementsprechend enttäuscht, als es keine gab – es waren allerdings auch keine angekündigt, es hätte mich also auch gewundert, wenn es welche gegeben hätte.

Wirklich ätzend war, dass nach der Sendung vom Taubertal-Blog aus getwittert wurde, dass Bela einen Ärzte-Auftritt beim Taubertal 2011 angekündigt hätte – hat er nämlich nicht. Zumindest nicht im Interview. Er soll danach zum On3-Musikchef gesagt haben, dass er gerne wiederkommt – “2011 dann mit den Ärzten”. Aber dass das reiner Smalltalk und keine Ankündigung war, sollte ja nun wirklich jedem klar sein… aber natürlich gleich alles breittreten und weiterverkünden, schon klar. Denn was angekündigt ist, muss dann auch passieren, oder wie? Absolut zum Kotzen, diese Art von Journalismus.

Egal. Danach ging’s für mich schnell rüber zur Hauptbühne und LaBrassBanda – die kannte ich nicht, hatte keine Ahnung, was mich erwartet. Umso überraschter war ich dann über den Ska auf Bayrisch. *rofl* Die machten richtig gut Stimmung, und das Publikum feierte!

Danach Essenspause und Warten auf die nächste Band – aus “Produktionsgründen” (die mich ja ECHT mal interessieren würden…) wurden Bela B und Ska-P getauscht. Als nächstes kamen dann also Ska-P auf die Bühne, und auch sie begeisterten das Publikum. Völlig zu Recht! Auch wenn ich der Meinung bin, dass ein paar Ansagen auf Englisch die Sache deutlich vereinfachen würden… =;-) Ein tolles Konzert jedenfalls.

Und dann… leerte sich das Gelände. Bei Bela waren definitiv sehr viel weniger Leute vor der Bühne als bei Ska-P. *hüstel* Berechtigt? Nun ja, als alter Bela-Fan behaupte ich natürlich “nein”, auch wenn ich absolut jeden verstehen kann, der mit Bela solo (und insbesondere seinen aktuellen Festivalauftritten) so gar nichts anfangen kann. Ich finde die Hemden mit Berufsbezeichnung (“Gitarre”, “Bass”, “Drums”, “Human Boss”, “Babe” und – wie ich diesmal zum ersten mal gesehen habe – auch “Monitor”, “Tourmanagerin” und “Security” *rofl*) zum Schreien. Aber wer – ohne Kontext – eine Künstlerin auf der Bühne im “Babe”-Shirt sieht, der sieht das wohl doch eher anders. Zumal diese dann auch noch dem Human Boss mitten im Song eine weiße Schießer-Unterhose aus der Hose zieht. Hrmpf. Denkt denn keiner an die Nicht-Fans?!
Nu ja. Mir persönlich hat das Konzert gefallen. Es war zwar ziemlicher Standard, aber ich fühlte mich nostalgisch an die Winter-Tour zurückerinnert… Für Otto-Normal-Festivalbesucher war das aber klar der schwächste Auftritt des Abends. War aber ja auch kaum jemand da. *hüstel*

Headliner war dann Fettes Brot – wie beim Mini-Rock lieferten sie eine klasse Show und wurden gefeiert. Die Sprüche waren noch mal einen Tick besser, Schneeballen versteht man am besten, indem man sie einfach isst, und die Leute im Haus da oben auf dem Berg haben noch nie auf Ansprachen reagiert. *g* Ein toller Abschluss für einen schönen Festivalabend!

Da ich leider nur ein Tagesbändchen hatte, war das für mich auch der einzige Tag am Taubertal dieses Jahr – schade. Und irgendwie hab ich mich dabei auch vom Taubertal verabschiedet… werde ich langsam aber sicher zu alt dafür? Das Festival ist mittlerweile ECHT groß geworden, evtl. zu groß. Und dennoch, es hängen so viele tolle Erinnerungen daran… die erste Nacht auf dem Zeltplatz mit SOAD-Beschallung rund um die Uhr (wann war das? 2002?), diverse Schlammrutschbahnen, Rothenburger Schneeballen, nächtliche Wanderungen zum Zeltplatz, mein erstes Dúné-Konzert bei strömendem Regen im Steinbruch, die Entdeckung von Boppin’ B, “Es gibt nur ein Rudi-Völler”-Gesänge im Shuttlebus und “Es gibt nur ein Hardy Appich”-Gesänge vorm Backstage, erste Reihe bei den Hosen, Kaizers statt Fanta Vier – und nicht zuletzt natürlich das Jahr, an dem ich direkt von meinem Vorstellungsgespräch bei meinem jetzigen Arbeitgeber nach Rothenburg gefahren bin und tags darauf im strömenden Regen, untergestellt in den Arkaden des Rothenburger Rathauses, mein Handy klingelte… “Wir würden Ihnen gerne ein Angebot machen”.
Hach ja, the memories. Nein, auch wenn ich mir am Freitag sicher war, dass ich nicht mehr komme – ich glaube, ich werde nächstes Jahr wieder dabei sein. Hoffentlich.

06-07.08.2010 Mini-Rock-Festival (Horb am Neckar)

Monday, August 9th, 2010
06-07.08.2010 – Photos Mini-Rock-Festival (Horb am Neckar)
This entry doesn't exist in English.

Das Mini-Rock-Festival in Horb war in den letzten Jahren ein wunderschönes kleines, teilweise leicht improvisiert wirkendes (was aber absolut positiv zu verstehen ist!) Festival mit einem durchweg tollen, alternativen Line-Up. Für dieses Jahr stand ein Umzug und damit eine Vergrößerung des ganzen Festivals an. Fettes Brot als Headliner am Samstagabend stellten die bisherigen Headliner klar in den Schatten, und das Gelände bot nun bis zu 12.000 Besuchern Platz, statt wie bisher “nur” maximal 8.000.

Die BühneEine solche Vergößerung geht ja leider gerne mal nach hinten los, wenn damit der Charme eines Festivals verloren geht oder wenn die Organisation den größeren Aufwand einfach nicht stemmen kann. Im Falle Mini-Rock waren diese Befürchtungen aber zum Glück völlig unbegründet!

Schon der erste Eindruck vom Gelände war äußerst positiv – sehr weiträumig (das Konzertgelände wirkte mindestens doppelt so groß wie beim alten Gelände, und die Campingplätze waren deutlich geräumiger), gleichzeitig aber trotzdem übersichtlich, so dass die Besucher Platz hatten, sich zu verteilen, dass man aber trotzdem von überall eine gute Sicht zur Bühne hatte und sich auch hinten noch “nah dran am Geschehen” fühlte. Der Boden vor der Bühne, der vom Dauerregen vor dem Festival (an beiden Festivaltagen blieb es durchgehend trocken) aufgeweicht war, war großzügig mit Stroh abgedeckt, so dass die Gummistiefel zu Hause bleiben konnten. Und nachdem das Stroh am ersten Abend willkommenes, wenn auch unangenehmes Wurfmaterial war und am zweiten Tag aufgrund des schönen Wetters eh nicht mehr gebraucht wurde, wurde es fein säuberlich wieder aufgesammelt. Lange Warteschlangen gab es weder am Einlass noch an den Essens- und Getränkeständen. Beim Essen war die Auswahl nicht allzu groß – aber es reichte zum sattwerden, und bei einem Festival dieser Größenordnung würde ich eher mit weniger als mit mehr Auswahl rechnen.

Stroh-EinsammelnAn der Organisation gab es also nichts zu bemängeln – wobei ich sagen muss, dass ich weder gezeltet noch auf dem offiziellen Festivalparkplatz geparkt habe, so dass ich zum Camping und zum Shuttlebus nichts sagen kann. Dass eine Parkgebühr von 8 Euro pro PKW nicht gerade gut ankommen würde, war zu erwarten – zumal ja das Festivalticket dieses Jahr fast 20 Euro mehr kostete als noch 2009, und damals war das Parken inklusive. Teurer ist das Festival durch den Umzug also auf jeden Fall geworden – aber es wurde auch deutlich aufgewertet und wirkte deutlich professioneller.

Gleichzeitig war das Festival aber weiterhin typisch “das Mini-Rock”. (Wobei Mini-Rock jetzt eigentlich ein Understatement ist. Aber “Medium-Rock” klingt ja doof, und “Maxi-Rock” wäre zum Glück noch übertrieben. =;-)) Ich kann nicht genau in Worte fassen, wo der Charme des Festivals liegt – teilweise sicher in der Tatsache, dass das Line-Up sehr gemischt ist und sich daher Punk-, Pop-, Hardcore-, Ska- und HipHop-Bands abwechseln. Das bedeutet natürlich auch, dass wohl kaum einer der Zuschauer sich für alle Bands begeistern kann und viele vermutlich auch nur einen Bruchteil der Bands überhaupt kennen. Dementsprechend “geht man halt mal gucken” und lässt sich bei Gefallen von der Musik hinreißen. Gedrängel vor der Bühne gab es höchstens bei den Headlinern, sonst konnte man auch ganz vorne unbedrängt tanzen.

MatschmenschenAllerdings – und das ist mein einziger Kritikpunkt am Festival, für den aber die Macher absolut nichts können und der sich auch nicht durch die Vergrößerung ergeben hat, sondern vorher schon ganz genauso war: Ein Großteil des Publikums hat definitiv Koordinationsschwierigkeiten und/oder noch nie etwas von Distanzzonen gehört. Mag jetzt seltsam klingen, und ich nehme auch klar diejenigen aus, die aufgrund von Alkohol/sonstigen Drogen sowieso nicht mehr wissen, wo sie hinlaufen, aber ich habe noch kein anderes Festival erlebt, wo ich so oft und penetrant von Leuten umgerannt/angerempelt wurde wie beim Mini-Rock. Man kann alleine dastehen, rund herum anderthalb Meter Platz, und trotzdem wird man von jedem zweiten, der vorbeikommt, angerempelt, oder ein anderer stellt sich einem direkt vor die Nase. Ich weiß absolut nicht, woran es liegt, dass das für mich gerade fürs Mini-Rock-Festival “typisch” geworden ist – vielleicht einfach daran, dass das Gelände viel Platz bietet und daher nie gerammelt voll ist/war, und da fällt es dann natürlich besonders auf.

Das ist aber durchaus verschmerzbar. Mit der Zeit wird man immer besser im Ausweichen. =;-) Natürlich gab es auch andere Kritikpunkte bezüglich des Publikums – hauptsächlich, dass ständig Dinge Richtung Bühne geworfen wurden. Ob das nun am ersten Abend das Stroh war oder sonst Becher und Schuhe – eigentlich sollte mittlerweile jeder wissen, dass das extrem schlechter Stil ist. Aber sowas hat man nunmal immer. Und genauso gab es die wunderschönen Aspekte eines Festivalpublikums: verträumt tanzende Fans vor der Bühne, bunte Kostümierungen, Begeisterung auch für völlig unbekannte Bands.

Nun aber, nach langer Vorbetrachtung, zum eigentlichen Festivalbericht! An beiden Tagen kam ich leider erst zur zweiten Band aufs Gelände, kann daher also über die ersten Bands nicht berichten – sorry dafür.

Freitag, 6. August

The JerksLos ging es am Freitag mit The Jerks. Die Stuttgarter Alternative-Rocker konnten leider nicht allzu viele Zuschauer vor die Bühne locken, obwohl die Musik absolut vielversprechend war. Die Band wirkte sehr routiniert und störte sich auch nicht daran, dass noch nicht allzu viel los war. Die Zuschauer, die da waren, feierten dafür auch richtig, es gab sogar erste Crowdsurfing-Versuche. Ich wage allerdings zu bezweifeln, dass das irgendetwas mit The Jerks zu tun hatte; im Gegenteil, das Publikum schien sich leider eher wenig dafür zu interessieren, was auf der Bühne passierte.

ScumbucketAls nächste Band waren dann Scumbucket an der Reihe. Und im Gegensatz zu den Jerks war hier klar, dass sie Fans im Publikum hatten. Das merkte man nicht nur daran, dass der Altersschnitt im Publikum wie auf der Bühne merklich nach oben ging, sondern hauptsächlich daran, dass begeistert mitgegangen und -gesungen wurde. Auch wenn auch hier das Publikum sehr überschaubar war…
In eigener Sache sie mir noch kurz die Bemerkung erlaubt, dass es für einen Skambankt-Fan (wie mich) total irritierend ist, wenn auf der Bühne eines deutschen Festivals plötzlich “Skamba…cket” angekündigt wird. =;-)

The Black Box RevelationDanach kam dann eine Band, von der ich noch nie auch nur den Namen gehört hatte, nämlich The Black Box Revelation. Offenbar ging das aber nur mir so, denn die beiden Belgier kamen sehr gut an. Nur mit Gitarre und Schlagzeug brachten die beiden das Publikum zum Tanzen und Feiern.

CalibanZum Auftritt von Caliban wurde es auf dem Gelände dann erstmals richtig voll. Da ich mit Hardcore überhaupt gar nichts anfangen kann, kann ich den Auftritt nicht bewerten, aber das Publikum hatte seinen Spaß mit diversen Walls of Death und Circle Pits – und zwar nicht nur vorne vor der Bühne, sondern über das halbe Gelände, was schon eindrucksvoll war, auch wenn man wie ich mit der Musik nichts anfangen konnte. Und dass der Sänger aussah wie Sheamus, nur mit schwarzen Haaren, ist total unsachlich und gehört daher nicht in diesen Bericht. =;-)

Life of AgonyAls nächstes spielten Life of Agony, die ich vorab unwissenderweise in eine ähnliche Ecke wie Caliban gesteckt hatte. Damit lag ich aber völlig falsch – die Amerikaner präsentierten melodiösen Metal und eine absolut professionelle Show. Die Musik gefiel mir sehr gut, die Show selbst war allerdings in meinen Augen ein wenig zu professionell – typisch amerikanisch eigentlich. Die Band wirkte ein wenig desinteressiert und schien mir einfach nur ihr Programm herunterzuspielen. Vielleicht hatten sie ein größeres Publikum erwartet, vielleicht sind sie es gewöhnt, dass auch ein Festivalpublikum sie kennt und mitsingen kann – keine Ahnung. Auf jeden Fall spielten sie ihr Konzert und verschwanden schon zehn Minuten zu früh ohne Zugabe. Schade.

JohnosseHeadliner des Abends waren dann The Sounds aus Schweden. Auch hier hatte ich ein wenig das Gefühl, dass die Band mit höheren Erwartungen an das Konzert herangegangen ist. Aber bei einem Festival mit einem solch gemischten Programm wie dem Mini-Rock, wo es außerdem ein großes “Stammpublikum” gibt, kann nunmal auch der Headliner nicht erwarten, dass das Publikum alle Lieder kennt und mitsingen kann. Dass dem nicht so war, schien Frontfrau Maja ein wenig zu irritieren. Die Band schaffte es zwar, das Publikum zu begeistern, aber auch hier wirkte es für mich eher nach professionell heruntergespieltem Konzert als nach Spaß auf der Bühne.



Samstag, 7. August

KleinstadtheldenDer nächste Tag begann dann im strahlenden Sonnenschein mit den Kleinstadthelden. Die vier Jungs aus dem Norden hatten offenbar einige Fans im Publikum, die begeistert mitfeierten – obwohl es zu dieser Uhrzeit noch nicht viele Zuschauer aufs Konzertgelände verschlagen hatte. Die Band verteilte jedenfalls eine “1 plus Sternchen” für das Publikum und versprach, die Zeugnisse nachher am Merchstand auszustellen.

YakuziWeiter ging es mit den lokal sehr beliebten Yakuzi, die wie immer ihren eigenen Fanblock dabeihatten. Oder aber den gemeinen Mini-Rock-Zuschauer mittlerweile zum Yakuzi-Fan erzogen haben, was auch nicht weiter verwunderlich wäre. =;-) Im Konzert wussten sie jedenfalls mit ihrer Spielfreude zu überzeugen (wie immer), und auch wenn meiner Meinung nach die Setlist nicht wirklich ideal war (ich fand, dass viele “untypische” Stücke dabei waren – aber es ist schließlich immer noch die Band selbst, die definiert, was “typisch” ist =;-)), kamen sie bestens an, und das Publikum bekam schon früh am Nachmittag genügend Möglichkeit zum Tanzen. Höhepunkt war natürlich wie immer der “Wutbauch”, der im Publikum – auch wie immer – begeistert niedergemetzelt wurde. Die Hymne “One to all” wurde am Ende des Konzertes dann lautstark mitgesungen – noch ein Zeichen dafür, dass das Mini-Rock von einem Haufen Yakuzi-Fans besucht wurde und die Band daher durchaus eine spätere Spielzeit verdient gehabt hätte.

The Blackout ArgumentEs folgte The Blackout Argument aus München, die mich sehr stark an Disco Ensemble erinnerten. Allerdings ohne “das gewisse Etwas” – wobei ich den Finger nicht drauf legen konnte, was denn dieses mysteriöse Etwas war. Die Musik klang sehr ähnlich, Sänger Raphael könnte jederzeit als Kopie von Miikka von Disco Ensemble durchgehen, und auch in Energie und Kraft standen sie ihren Vorbildern (wie ich jetzt einfach mal unterstelle =;-)) in nichts nach. Trotzdem waren die Publikumsreaktionen eher mau. Das geforderte Circle Pit war zwar groß, aber von maximal zehn Leuten bevölkert, die dann mal zwei Runden Dauerlauf machten. Hmm… ein durchwachsener Auftritt, warum auch immer.

Stomin' SoulsDanach kam dann für mich die Überraschung des Festivals: Stompin’ Souls. Von dieser schwedischen Band hatte ich noch nie etwas gehört, aber sie überzeugten mich innerhalb weniger Minuten mit ihrem tanzbaren Rock. Bei den (wieder mal recht wenigen) anwesenden Zuschauern schien die Band gar nicht mal so unbekannt zu sein – und insgesamt sehr beliebt. Dementsprechend wirkte die Band beim Konzert auch sehr spielfreudig und hinterließ einen absolut positiven Eindruck. Einzig die Ansagen von Frontmann Thomas waren verbesserungswürdig. “And now we play something different… another song!” Nun ja… =;-) Kann natürlich auch einfach daran gelegen haben, dass er die Ansagen auf Englisch machen musste. Hin und wieder rutschte er dabei auch (versehentlich?) ins Schwedische.

Karamelo SantoDass Karamelo Santo dann der erste Headliner des Abends sein würden, war von Anfang an klar und bestätigte sich, als sich der Platz vor der Bühne pünktlich zu ihrem Auftritt füllte. Wie zu erwarten wurde dem Mini-Rock bei immer noch tropischen Temperaturen ordentlich eingeheizt mit argentinischem Skapunk. Mehr braucht man dazu eigentlich nicht schreiben – die Energie auf der Bühne übertrug sich sofort aufs Publikum und es wurde ausgelassen getanzt und gefeiert. Genau so, wie es bei einer Band wie Karamelo Santo sein muss!

JohnossiAuch Johnossi wurden vom Publikum heiß erwartet. Sobald die beiden (auch hierbei handelte es sich wieder um eine Band bestehend aus “nur” Schlagzeug und Gitarre) auf die Bühne kamen, wurden sie gefeiert und umjubelt – leider nur für wenige Sekunden, denn dann verabschiedete sich die Gitarre von John… was bei einer Zwei-Instrumente-Band natürlich fatal ist. Nach kurzer Unterbrechung schien das Problem behoben – allerdings nur bis zur Hälfte des zweiten Songs, wo die Gitarre wieder den Dienst versagte. Es war mehr als nachvollziehbar, wie sehr sich John darüber ärgerte… die beiden verließen erst einmal die Bühne, und nach fünf Minuten war dann zum Glück auch alles gerichtet. Allerdings hatte es natürlich wertvolle Spielzeit gekostet. Der Rest des Konzertes konnte dann wie geplant ablaufen, allerdings wirkten die beiden ein wenig gereizt, und so ganz konnte der Funke nicht überspringen, auch wenn das Publikum die Songs absolut abfeierte.

Fettes BrotUnd dann war es Zeit für den Höhepunkt des Festivals: Fettes Brot! Trotz der Verzögerung bei Johnossi und des nicht gerade unaufwendigen Bühnenaufbaus kamen sie fast pünktlich auf die Bühne. Der Platz vor der Bühne war – wie zu erwarten – gut gefüllt, und die Stimmung war bestens. Auch wie zu erwarten wurden natürlich die Hits von allen gefeiert und lauthals mitgegröhlt, während die eher unbekannteren/älteren Stücke eher “interessiert verfolgt” wurden. Kurz gesagt also ein typisches Festivalkonzert. =;-) Fettes Brot waren gut aufgelegt, rissen (natürlich!) diverse Witze zum Thema Minirock, improvisierten lustig vor sich hin und brachten die Highlights ihrer Hallentour. Ein absolut würdiger Abschluss für ein tolles Festival!

PublikumZuguterletzt noch ein kurzes Fazit: Das Mini-Rock hat den Sprung zum “Medium-Rock” definitiv geschafft, ohne dabei an Charme einzubüßen. Die Organisation läuft top und wirkt noch professioneller als bei der kleinen Ausgabe. Ausbaumöglichkeit gäbe es eventuell noch in Form einer zweiten Bühne, so dass zwei Bühnen abwechselnd bespielt werden können und somit die Aufbauzeiten überbrückt werden – allerdings ist dies natürlich noch mal ein großer Schritt, der vielleicht auch gar nicht gewünscht ist. In meinen Augen sollte das Festival erst mal einige Jahre im Ausmaß von diesem Jahr weitermachen und somit dem Publikum die Möglichkeit geben, sich an das veränderte Festival anzupassen. Denn ein wenig wirkt es so, als wäre das Publikum in Gedanken noch beim “alten” Festival, bei dem es mehr ums Festival an sich als um die Bands ging. Jetzt, in dieser Größe, wäre es wünschenswert, wenn sich auch mehr Zuschauer für die Bands interessieren würden und bei den ersten Bands des Tages nicht gähnende Leere vor der Bühne herrschen würde. Denn das ist für die auftretenden Bands natürlich schade – das Programm war durchaus hochwertig, und jede einzelne der Bands hätte ein großes Publikum verdient gehabt. Bei den Headlinern (zu denen ich jetzt jeweils die letzten drei Bands des Tages zähle) war dann alles so, wie es bei einem Festival dieser Größenordnung aussehen muss. Also Daumen hoch fürs Mini-Rock – wir sehen uns nächstes Jahr!

24.07.2010 Das Fest (Karlsruhe)

Sunday, July 25th, 2010
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So, und gleich das nächste Bela-Konzert! Das Fest in Karlsruhe ist mir vom letzten Mal nicht sehr positiv in Erinnerung geblieben (wobei, der Bericht ist ja eigentlich total positiv?!), einfach weil es furchtbar groß und voll und unpraktisch war, insbesondere an der Hauptbühne. Aber dort wurde das Konzept ja umgestellt, so dass man nur mit Ticket reinkommt, womit vermieden wird, dass sich zu viele Zuschauer auf dem Gelände befinden.

Leer war es aber trotzdem beim besten Willen nicht. Ich fühlte mich von Anfang an ziemlich “überrannt” – was allerdings nicht nur an den vielen Leuten lag, sondern auch daran, dass ich gleichzeitig mit verschiedenen Leuten per Handy kommunizieren musste, nicht wusste wohin und außerdem noch ein Ticket besorgen musste, da meines noch unterwegs war… Alles hochkompliziert also. 😉

Mit Glück kam ich dann aber noch gerade so in den Wellenbrecherbereich rein, und das hieß: perfekte Sicht zur Bühne und kein Gedrängel, yeah! So konnte ich das Bela-Konzert wieder schön genießen. Also, nachdem ich mich von meinem Lachanfall erholt hatte, denn die Helmstedts kamen diesmal in Hemden mit Beschriftung auf die Bühne: Gitarre, Bass, Drums, Babe (= Paule) und – Boss. *rofl* Hach, wie cool! Es ging dann auch amüsant weiter, allerdings wurde weniger gequatscht als in Tuttlingen. Wir mussten uns wieder im Kreis drehen, wir mussten den Zeigefinger (mit dem wir doch ALLE an der Ampel in der Nase popeln) genauer untersuchen und später küssen, es gab wieder Bananen (diesmal während “Als wir unsterblich waren” – Olsen schaffte seine Banane nicht ganz, und auch Danny wurde zum Verlierer erklärt, obwohl er meiner Meinung nach die perfekte Idee hatte: er aß seine Banane einfach in aller Ruhe am Ende des Liedes, als noch das Sample lief), und natürlich wurde ein wenig gegen Jan Delay gestichelt (und das “Heute scheint die Sonne, nimm das, Jan Delay!” fand ich mit dem Gedanken ans Sonnenrot ja sehr amüsant *g*). Statt Cheap Trick gab’s diesmal “Money changes everything” – hmm, schade, ich mag Cheap Trick lieber. Dafür liebe ich allerdings, was ich gestern vergessen habe zu berichten, das neue, rockige Traumfrau-Intro und den neuen Spring-Teil am Ende von “Gitarre runter”.

Und schon war der Graf fertig… *seufz* Die Editors sparten wir uns, besorgten was zu essen und gammelten rum, bis wir uns dann zu den Monsters of Liedermaching wieder vor die Bühne begaben. Schon der Soundcheck war zum Schreien komisch, und danach ging es genau so weiter. Das Publikum war laut und enthusiastisch (und zu allem willig und bereit!), die Monsters waren völlig geflasht von den vielen Leuten (und ja, das Gelände ist mit dem Hügel einfach wunderbar und eindrucksvoll). Konnte man am Anfang noch ein klitzekleines bisschen vermuten, dass die Monsters ordentlich AngstRespekt vor dem riesigen Publikum hatten, wurde das immer unwichtiger, denn schließlich machten alle mit. Ob mit den Armen wedeln, Schwingtüren nachahmen oder hinsetzen – völlig egal, wurde alles abgefeiert. Der absolute Wahnsinn, und ein würdiger Abschluss fürs Fest!